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         Films
_Tales from the Mountaintop
_Repulsion System for Productive Lands   
_The Smiler
_The Privilege of Acting
_Terra Asciutta  
_Engagement Rate Formula
_The New Man and my Father
_EMPTY PAGE. Protecting our own
_Glories of a Forgotten Future
_Surplus Production Line
_The Making of Forty Rectangular Pieces for a Floor Construction
_How is a Storehouse Built
_Here, everybody takes care of me
_Night Watch


         Video Archives
_Instructions from the Great Beyond
_Moments that Shaped the World (serie)
_El EXPLOTE. Statistic Department
_Omertà
_Ovation


         Drawing Series
_Department for planning and destruction of Cuban economy


         Installations
_Land of Plenty
_Anechoic Room
_Covert Planning
_Productivity Control System
_The Power of the Working Class
_The Best Effort
_Dreams Production Plan for State-Run Companies
_The Value of Absence
_357.890 sqm Planned


         Photography Series
_Replacement Points
_Time to Relax
_STOCK


         Solo Exhibitions
_2768. 23,53. 8. 1958. 57%. 1000 (2020) 
_Land of Plenty (2018)
_Selective Memory (2018)
_Absolute silence does not exist (2017)
_EMPTY PAGE. Protecting our own (2016)
_Selected Works (2016)
_CENTRUM (2015)
_Surplus Production Line (2014)
_Time to Relax (2013)
_The Value of Absence (2013)
_STOCK (2012)
_New Production Structures (2012)


         Catalogues

_The Value of Absence (2013)
_The Paradox of Labour - a reader to the work of Adrian Melis (2021)


         Lectures, seminars, workshops

_The Paradox of Art and Labour - Sociopolitical practices as form of artistic expressions


@ copyright Adrian Melis.
All rights reserved by the author
Last update, Nov 2023


Mark

Dreams Production Plan for
State-Run Companies in Cuba
     (2012-2019)


         Produced in Cuba and Spain
Installation, wooden boxes documents, photographs (20x25 cm)

        ‘Sleeping indefinitely at work is an inconceivable notion. In Cuba, however, it is quite common. To maintain or feed productivity, the State has set regulations for workplaces and employee conduct. Still, few people abide by them because there are no repercussions for being lazy, or even sleeping at work. These regulations serve more of a symbolic nature. Both parties’ tacit agreement that the system is inherently unproductive renders workplaces into ‘ghost production structures’. Therefore, sleeping during work hours changes nothing as this economic model’s output is dispensable to continue working as it is.
         In addition to sharing Cubans’ dreams, one of my main objectives with ‘Dreams Production Plan’, was to achieve a production line that would allow me to demonstrate in a tangible form that the dreams of socialism are a marketable product, merchandise that can be mass-produced and exported. ‘Dreams Production Plan’ is a critique of the establishment. It presents an alternative system that allows for productivity to happen using the existing structures, without changing or interfering with the day-to-day work rituals.’
         Excerpt from an interview with Friederike Sigler.
         WORK. Documents of Contemporary Art, 2016.
Copublished by Whitechapel Gallery and The MIT Press


New Production Structures, Adn Galeria, 2021
Photo Credits: Roberto Ruiz © Adn Galeria


The Value of Absence, Kunsthalle Basel, 2013
Photo Credits: Serge Hasenböhler © Kunsthalle Basel




Mark