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adrian melis
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         Films
_Tales from the Mountaintop
_Repulsion System for Productive Lands   
_The Smiler
 _The Privilege of Acting
_Terra Asciutta  
_Engagement Rate Formula
_The New Man and my Father
 _EMPTY PAGE. Protecting our own
_Glories of a Forgotten Future
_Surplus Production Line
 _The Making of Forty Rectangular Pieces for a Floor Construction
_How is a Storehouse Built
_Here, everybody takes care of me
_Night Watch

         Video Archives
_Instructions from the Great Beyond
_Moments that Shaped the World (serie)
_El EXPLOTE. Statistic Department
 _Omertà
 _Ovation

         Drawing Series
_Department for planning and destruction of Cuban economy

         Installations
 _Land of Plenty
_Anechoic Room
 _Covert Planning
 _Productivity Control System
_The Power of the Working Class
_The Best Effort
_Dreams Production Plan for State-Run Companies
_The Value of Absence
_357.890 sqm Planned

         Photography Series
_Replacement Points
_Time to Relax
_STOCK

         Solo Exhibitions
_2768. 23,53. 8. 1958. 57%. 1000 (2020) 
_Land of Plenty (2018)
_Selective Memory (2018)
_Absolute silence does not exist (2017)
_EMPTY PAGE. Protecting our own (2016)
_Selected Works (2016)
_CENTRUM (2015)
_Surplus Production Line (2014)
_Time to Relax (2013)
_The Value of Absence (2013)
_STOCK (2012)
_New Production Structures (2012)

         Catalogues

_The Value of Absence (2013)
_The Paradox of Labour - a reader to the work of Adrian Melis (2021)

         Lectures, seminars, workshops

_The Paradox of Art and Labour - Sociopolitical practices as form of artistic expressions

@ copyright Adrian Melis.
All rights reserved by the author
Last update, Nov 2023
Mark

Engagement Rate Formula
     (2019)
                        

         Filmed and edited in Barcelona
Video, HD h.264, colour, stereo 10:00 min

watch video on Vimeo

         In * ‘Engagement Rate Formula’, Melis sets up a non-profit initiative that is dedicated to transforming likes, the thumb-up ‘reaction’ symbols used on social media platforms, into ‘real’ likes made of plaster. The initiative focuses specifically on likes expressed for posts depicting the struggles and inhumane treatment of refugees. The initiative reaches out to various NGOs and human rights organisations to help them distribute these material likes to people who are in need. A series of telephone conversations presents an absurd and highly problematic reality where the likes are considered possible aid for refugees in need. The work was inspired by the online phenomenon of slacktivism. The likes are eventually sent to the Moria refugee camp located on Lesbos, Greece.
         * The engagement rate is used to measure the level of interaction by followers from content created by a user. It is calculated as total engagement divided by total followers, multiplied by 100.
Mark